Jul 11, 2011

The Polarized Nation

I have been gone for a while; I was busy trying to figure out why Janet chose to tour looking like she just stepped off the set of Poetic Justice with a masculine twist. But that's neither here nor there. And with the tour going on, there hasn't been much to discuss, well other than the tour, and the new space Janet will be in after the tour. 

Nearly two years ago Janet released her second greatest hits compilation, Number Ones. From the beginning, the entire Number Ones Era was going to be a strategic operation to return Janet to her former glory. The hits compilation served as a promotional product to resonate Janet's name back into the general public. The American Music Awards performance and the X-Factor performance were complimentary assignments that corroborated with the objective of the era. As the winter of 2010 came, Janet used the fashion shows in Europe as an excuse to go eat. Gil has gone off the record stating that he's had to make calls to several restaurants. Not to make sure Janet could be accommodated, but to warn the chef that Janet was coming. But we won't get in to that. Two films, Why Did I Get Married Too and For Colored Girls, and the Essence Music Festival were all tools in aiding the resurgence of Janet's image and popularity. The two films together added another near $100 million to Janet's total box office gross. Essence Music Festival gave Janet her second largest concert audience following the 72,000 Rodeo Houston show. 2009 and 2010 were very productive years, and executed very well. Following the Essence Music Festival, Janet announced she was going on tour, and several of you acted like you did when you learned Janet had separated from Papa Smurf

So it's been a few months since the start of tour. Tour started out in Asia, moved to the US, and now Janet is in Europe. Obviously this is the world tour we were supposed to get in 2008. Unfortunately the last tour got cut short by Janet's desire to take advantage of the $4.99 Grand Slam at Denny's. That "vertigo" was caused by Janet using too much hot sauce on her eggs. In any event, the tour continues to be a success. Date after date, Janet continues to sell out all while blessing each city with her gospel. Despite alienating her fan base overseas, Janet has still managed to sell out dates internationally, thus remaining a testament that Janet still does have fans across the globe. It was just Janet's willingness to reach out to them. The tour acts as a tool to rebuild Janet's name in places she has alienated over the years, namely Europe. Although Janet is performing at banquet halls and closets, she continues to sell out in the midst of three unnoticed albums, no sizable hits, or any major promotion other than the hits compilation, a true testament of her star power and impact in Europe. There is obviously still demand for her wherever she goes. She shows up, and shows out, just like Christians say Jesus does (coincidence? I think not), and gets rave reviews. I'm sure we all still get a giggle when concert critics claim she singing live. But we won't get in to that. We'll just stay committed to their words and defend to the death that Janet IS singing live because we were there, and we could hear her breath when she breathed into the mic. But we won't elaborate on that anymore. Janet is singing live......

So what does this mean for the future of Janet? This new space isn't the drive thru at Dairy Queen. It isn't the space below Wissam's navel. It's a good space. Well for Janet, the space below Wissam's navel is a good space. Just recently Janet appeared on a UK show hosted by Julius Caesar's second cousin:



Janet announced the tour is supposedly going to last until 2012, and that she was going back to the States, Australia, Africa, and possibly South America. Surely everyone was excited that Janet was finally touring the world again, but was then pissed when they realized that we wouldn't be getting an album until sometime next year, if that. But, once again, it's all strategy. Rebuild the fan base, and that will set Janet up for a successful album with her next release. It seems like Janet is ready to become "Janet Jackson" once again, and not "Escalade with the '92 Sentra". The question becomes whether or not tour success will translate into album success. As Janet says, "It's in God's hands."

The other day I was in Target and came across People magazine’s Top 100 Celebrities Who Define Our Time. Just out of curiosity, with little to no faith, I wanted to see if Janet was listed. Lo and behold, she was not. For some reason, it did not come as a surprise. I have become accustomed to Janet get shafted as if what she has done to and for this industry is dismissible. And it reminded me of the recent stir of publications that had excluded Janet. I'll start off with the most recent, Rolling Stone's "Readers Poll: The Queen of Pop" list. For some odd reason, they left off Janet. Now, other than Madonna, the only other person the media has called the "Queen of Pop" and used it to symbolize status, rather than a punch line for other female artists, is Janet. Then there was also VH1's 100 Greatest Arists of All Time, where somehow Janet was placed on the waiting list, while other more transcendent artists such as Alicia Keys, Sade, Justin Timberlake, and LL Cool J ranked on the list. I actually saw the "Bubbling Under" list. Janet was 5th, behind Miley Cyrus, Rihanna, Olivia Newton-John, and the guy that does the voice over on movie promos. Apparently VH1 only chose the best of the best. Rolling Stone did another poll asking who the best dancer of all time is. That title would go to Mariah Carey, obviously, but I took a stroll over to view the votes. Out of the 300 votes I saw, I only saw TWO votes for Janet. Did I vote? No. Why? Because I don't have a Facebook. Why don't I have Facebook? Because I'm still trying to make MySpace happen. Do not judge me. There is something about using HTML formats to express myself that gives me a sense of individualism. Rolling Stone's "Queen of Pop" was a poll for votes. So what's going on here? Is Janet secretly trying to be shunned from our memories as if she didn't happen? Can 30 years of influence been erased? Could it be that we, as fans, are not doing our job in supporting Janet? The last time Janet ranked on a respectable publication's list was 2008 on Billboard's Hot 100 All-Time Top Artists, where Janet placed 7th, above the likes of Michael Jackson, Whitney Houston, The Rolling Stones, and Aretha Franklin. Although there's the notion that lists don't validate Janet's impact and influence, but these lists illustrate the support Janet has from her fans. These lists indicate that Janet's impact and influence is recognized by industry insiders. These lists indicate how Janet has resonated within the industry. What's a great song if its only recognized by the public? We can't trust the buying public. The buying public "elected' Bush into office, TWICE.  The icing on the cake is making a great song, and it being recognized by critics as being one of the greatest pieces of work in musical history. There's nothing worse than creating a great body of work, and it goes unnoticed. Every artist wants to be recognized for their work. It's no different from a prostitute's job on the corner. If she, or he (this is 2011 after all, can't put anything past anyone), is giving the best hand jobs, they want to be recognized for it by the pimps, or industry insiders. So I say this to you all, there needs to be a bit more mobilization and activeness within the fan community. Continuing to be dormant and not supporting Janet the way we SHOULD be, and then turning around and complaining about her failing to rank on different lists, countdowns, etc is only a direct result of dormancy. It follows the old quote, "If you don't vote, then you don't get to complain."

"Ask not what Janet can do for you, but what you can do for Janet."
- Rhythmless Nation 










Feb 26, 2011

25 Years Of Control

Despite being an acclaimed child actress and star of Good Times, Diff'rent Strokes, and Fame, Janet Jackson was expected to enter music. In 1982, she released her self-titled debut album, producing her first top 10 R&B hit "Young Love". Two years later, Janet followed up with Dream Street, also producing the top 10 R&B hit "Don't Stand Another Chance". For her third release, John McClain of A&M Records suggested Janet work with an up-and-coming producers Jimmy Jam and Terry Lewis to produce her next album. Desperate to take control of her own musical vision, flew to Minneapolis to meet with the production duo in hopes of recording what would become her breakthrough album. Janet adapted to the hustle and bustle of Minneapolis, and found inspiration from past experiences that would later resonate into the theme of the album. Satisfied with Jimmy and Terry, Janet recorded what would be her breakthrough album, Control.







Give us this day our daily Control
And forgive us our dragging of the uninformed
As we forgive those who stan for the abominable lessors
And lead us not into asking what she's done for us lately
But deliver us from classic me with a modern twist
For thine is the Pleasure
And the Principle
And the soundtrack to independence, forever


Amen.


Courtesy of Night Senses of Pulse Music Board #HomagePaid

25 Years of Control

Released: February 4, 1986
US Sales - 5x platinum (should be 6 or 7x platinum)
Worldwide sales - 14,000,000+
Billboard 200: #1 (2 weeks) 106 weeks total
Top R&B/Hip-Hop Albums: #1

Year End Charts:

#6 Biggest Selling Album of 1986
#5 Biggest Selling Album of 1987

Singles:





Hot R&B/Hip-Hop Singles & Tracks: #1 (2 weeks)
The Billboard Hot 100: #4
Hot 100 Airplay: #8
Hot Dance Music/Club Play: #2
Hot Dance Music/Maxi-Singles Sales: #1

RIAA - Gold




Hot R&B/Hip-Hop Singles & Tracks: #1
The Billboard Hot 100: #3
Hot 100 Airplay: #5
Hot Dance Music/Club Play: #2
Hot Dance Music/Maxi-Singles Sales: #6

RIAA - Gold



Hot R&B/Hip-Hop Singles & Tracks: #3
The Billboard Hot 100: #1 (2 weeks)
Hot 100 Airplay: #1 (2 weeks)
Hot Dance Music/Club Play: #1
Hot Dance Music/Maxi-Singles Sales: #3

RIAA - Gold



Hot R&B/Hip-Hop Singles & Tracks: #1
The Billboard Hot 100: #5
Hot 100 Airplay: #4
Hot Dance Music/Club Play: #1
Hot Dance Music/Maxi-Singles Sales: #2

RIAA - Gold



Hot R&B/Hip-Hop Singles & Tracks: #1
The Billboard Hot 100: #2
Hot 100 Airplay: #4




Hot R&B/Hip-Hop Singles & Tracks: #1
The Billboard Hot 100: #14
Hot 100 Airplay: #13
Hot Dance Music/Club Play: #1
Hot Dance Music/Maxi-Singles Sales: #8




UK: #59



Awards



American Music Awards

1987 - Favorite Soul/R&B Female Video Artist
1987 - Favorite Soul/R&B Single - Nasty
1988 - Favorite Pop/Rock Video - When I Think Of You
1988 - Favorite Soul/R&B Video - When I Think Of You


Billboard Awards

1986 - Top Black Artist of the Year (combined albums + singles)
1986 - Top Pop Singles Artist
1986 - Top Dance Sales Artist
1986 - Top Club Play Artist
1986 - Top Black Singles Artist
1986 - Top Pop Singles Artist - Female
1986 - Top Black Single
1986 - Top Black Album

Soul Train Awards

1987 - Female Album Of The Year
1987 - Best Music Video - What Have You Done For Me Lately
1988 - Best Music Video - Control

Edison Awards

1987 - Album Of The Year

MTV Video Music Awards

1987 - Best Choreography in a Video - Nasty
1988 - Best Choreography in a Video - The Pleasure Principle

Radioscope Awards

1986 Radioscope Award for Best Female Vocalist

BPI Sales Awards

1986 - What Have You Done For Me Lately - Silver Award - Won
1986 Control - Silver Award - Won

DMC DJ Awards

1986 - Best Female Vocalist


Records


Control is the first album by a female to produce 5 top 5 singles.

Control is the first album by a female to produce 6 top 40 hits on the Billboard Hot 100.

Control is the first album to have each of its singles peak in each of the top 5 slots on the Billboard Hot 100.

At age 19, "When I Think Of You" made Janet the youngest artist to hit #1 on the Billboard Hot 100 Singles chart, since Stevie Wonder, making Janet the youngest Black female to reach #1 on the chart.

"When I Think Of You," also made Janet and Michael Jackson the ONLY siblings in history to have #1 hits on the Billboard Hot 100.

Control received a record twelve nominations from the American Music Awards - a record that remains unbroken 25 years later.

Control made history when 5 of its singles reach #1 on the Billboard Top R&B/Hip-Hop charts.


Other Noted achievements

Control is also Included in Vibe's 100 Essential Albums of the 20th Century

#58 Biggest selling album of US BMG Music Club

"Nasty" ranked as VH1's 45th Best Songs of the Past 25 Years

"What Have You Done for Me Lately" was ranked by Blender Magazine as the 341st top song in their "Top 500 Songs of the 80s-00s (2005)" publication

The Guardian (UK) ranked Control one of the 1000 Albums You Must Hear Before You Die

Slant Magazine ranks Control as one of the 50 Essential Pop Albums

Pause & Play inducted Control into their "Albums Inducted into a Time Capsule, One Album per Week"

"Nasty" was ranked by VH1 as the 45th Greatest Song of the 80s

The Rock & Roll Hall of Fame named Control (#86) as one of the 200 Definitive Albums of All Time.

MOJO (UK) lists Control under "MOJO 1000 - The Ultimate CD Buyers Guide"

"Nasty" was named by Rolling Stone Magazine the #79 Greatest Song Of Rock & Roll History

Eggen & Kartvedt (Norway) listed Control in "The Guide to the 100 Important Rock Albums (1999)"

Control was named by OOR (Netherlands) as the 58th greatest album of the 80s.

Control is ranked by Rolling Stone as the 28th Greatest Album of the 80s

Uncut (UK) published "The 100 Greatest Singles from the Post-Punk Era (2001)" listing "Nasty" at number 100


Why "Control" Is Important



According to Janet's biography, "Control" brought Janet into the collaborative mix of Jimmy Jam and Terry Lewis: a relationship that created a musical fusion of pop, r&b, soul, dance, jazz, rock and rap that continues today." Control is the quintessential coming-of-age album. It has set the standard for artists declaring independence, and its often referenced as the album that defines an artist finally coming into their sound and form. From declaring independence and taking life by the horns, to practicing abstinence and empowering women, the album chronicles the life of a young girl's transition into womanhood. Control announced the arrival of a new R&B star, no longer in the shadows of her famous brothers, but coming into her own. Janet was edgy and boastful, yet so timid and vulnerable. Control was an instant smash in the U.S. and around the world, selling a staggering 14 million copies.

In his 2006 work, The New Blue Music, musicologist Richard J. Ripani noted that "Control" was responsible for bridging the gap between R&B and rap music. Ripani highlighted that "Control is important to the development of R&B for a number of reasons. The primary producers of Control, Jimmy Jam, Terry Lewis, and Jackson herself, crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility." By the time Control had launched Janet to superstar status, other producers such as Teddy Riley used Control as a template to create a sound for other R&B artists of the late 80s. Riley's use of the Control template later evolved into what would become New Jack Swing of the late 80s and early 90s. Sean "Diddy" Combs also used the Control album as a template for creating the sounds of his artists such as Mary J. Blige, The Notorious B.I.G, and TLC. From that, artists such as Keith Sweat, Michael Jackson, MC Hammer, Boyz II Men, EnVogue, Mary J. Blige, TLC, and Paula Abdul all have Janet to thank for giving them a sound to use to enjoy success.

The videos from the Control album are among the first videos from a female artists to feature full-choreography. The videos became the template for females who incorporated dance routines into their videos. "Nasty" is said to be the video that brought older brother Michael Jackson to tears.


The Legacy of Control



Thanks to @AlexWilder's twitpic account for finding this pic

25 years after its release, Control continues to be the stanard for artists finding themselves artistically and musically, and continues to rest on its pedestal as one of the most influential albums of all time. Upon its release, Billboard stated, "Control is a better album than Diana Ross has made in five years and puts Janet in a position similar to the young Donna Summer's — unwilling to accept novelty status and taking her own steps to rise above it." Three years later, The New York Times suggested Control was responsible for the careers of Jody Watley, Paula Abdul and Neneh Cherry. Other acts influenced by the Control album include Pebbles, Sharon Byrant, Vanessa Williams, and Karyn White.

While being awarded Billboard's "Artistic Achievement" award in 1995, Billboard noted that Control was held as one of the landmark releases of the past 20 years. In 1998, singer Toni Braxton praised Control for being the album that made children of preachers feel comfortable embracing their femininity and sexuality. In 2007, Jay-Z likened Rihanna's Good Girl Gone Bad album to Control in that Rihanna has found her voice and her sound the way Jackson did 21 years ago. The following year, during the R. Kelly trials, defense counsel Sam Adam Jr. stated, "That's how you gotta talk with those people," he said. "They know Janet Jackson: They know she had that famous song, 'What Have You Done for Me Lately?' They understand." Former editor-in-chief of Vibe magazine, Danyel Smith told ABC in an 2009 interview that Control was quietly one of the most significant albums of the last 25 years cementing Janet as her own person.

In itself, "What Have You Done For Me Lately" has become a notorious American statement, having been quoted by everyone from president Barack Obama to comedian Eddie Murphy. International pop icon Beyonce Knowles featured the spoken dialogue at the beginnig of the song on her 2009 I Am...world tour. The famous "LatelyBass" preset on the Yamaha TX81Z (used extensively on house and techno songs of the late '80s and '90s) was based on the bass tone of "Lately", and subsequently named after it as well. Similarly, Janet's most quoted lyric, "No my first name aint baby, it's Janet. Ms Jackson if you're nasty" became a mantra for the empowerment of women to protest the objectification of women in pop culture, and society. One reviewer of Control paralleled the ubiquitous catchphrase to that of Aretha Franklin's "Respect" as songs that empower women of all backgrounds.

Christina Aguilera stated she grew up being mesmerized by videos from Control including "What Have You Done For Me Lately" and "When I Think Of You". Britney Spears peformed the song during her "Baby One More Time" Tour in 1999. Singer/actress Jennifer Lopez also stated "Pleasure Principle" video was one of the two videos that encouraged her to pursue a career in entertainment ("Alright" being the other). The video also features Janet employing a 50's style microphone as a prop in her choreography. The same concept can be found in R&B singer Ciara's music video "Promise". Rapper Nas listed "Control" as one of his Top 10 favorite videos on BET's Top 25 Video Countdown. There are reports international pop icon Whitney Houston sang the same song during a concert in 1988.



Courtesy of Rocket Love of Pulse Music Board